A panoramic introduction to medieval Europe, from Viking England and the Norman Conquest through cathedrals, dynastic courts, crusading, plague, the Hundred Years War and the Wars of the Roses. This is explicitly a European survey, not a complete global history of the Middle Ages.
A compact, carefully selected introduction spanning the main phases without pretending to cover every region or development. Kingship, belief and everyday lives in medieval Europe.
This journey covers primarily western and northern Europe c. 800–1485. Its labels do not apply uniformly to India, China, Japan, Byzantium or the Islamic world; those deserve their own separately curated pathways.
793 → 795
STORIA RAPPRESENTATA 793 → 795
Begin with raiding, Scandinavian political networks and early contact across the North Sea.
The series freely merges legendary and documented lives; do not treat Ragnar’s biography or dates as certain.
Accedi per monitorare
STORIA RAPPRESENTATA 866 → 878
Follow the formation of early English polities during Viking warfare.
Uhtred is fictional, Alfred ruled Wessex in the late ninth century, and the drama simplifies alliances.
Accedi per monitorare1064 → 1066
STORIA RAPPRESENTATA 1064 → 1066
See the disputed English succession of 1066 and the Norman Conquest.
William defeated Harold at Hastings on 14 October 1066; a modern dramatization cannot establish all private negotiations.
1120 → 1174
STORIA RAPPRESENTATA 1120 → 1174
Show social and religious institutions in twelfth-century England.
The cathedral-building plot and core characters are fictional; the Anarchy and medieval construction economy provide context.
1185 → 02.10.1187
STORIA RAPPRESENTATA 1185 → 02.10.1187
Place crusades in the eastern Mediterranean rather than treating them as only western adventures.
Jerusalem fell to Saladin in 1187; Balian of Ibelin was real but the film invents crucial biography and condenses events.
11.1327
STORIA RAPPRESENTATA 11.1327
Enter medieval monastic learning, manuscripts and religious controversy.
Eco’s murder plot in 1327 is fictional, while conflicts between papacy, poverty movements and philosophy are real.
STORIA RAPPRESENTATA 1385 → 29.12.1386
Explore gender, justice and noble violence in late medieval France.
The 1386 judicial duel is historical; testimony was contradictory and the film interprets contested private events.
1431
STORIA RAPPRESENTATA 1431
Experience Joan’s trial through a landmark interpretation of testimony and power.
The 1431 trial survives in records, but the film condenses proceedings and is a 1928 artistic reconstruction.
STORIA RAPPRESENTATA 1455 → 22.08.1485
End amid the Wars of the Roses and contested claims to monarchy.
The characters are historical; dialogues, romance and conspiracy follow fictionalized novels.
The transition to the early modern era varied by region: Renaissance, Ottoman expansion, Reformation and overseas imperial ventures did not begin on one date. Future journeys will explore those overlapping transformations.